1834-1903 James Abbott McNeill Whistler Art Locations   Related Paintings of James Abbott McNeil Whistler :. | Arrangement in Black | Portrait of Thomas Carlyle | Grey and Silver | George W. Vanderbilt | Rose and Silver La Princesse du Pays de la Porcelaine (mk09) |
Related Artists:
Adriaen van der Spelt
Adriaen van der Spelt (ca. 1630, Leiden - 1673, Gouda), was a Dutch Golden Age flower painter. According to Houbraken, whose comments were based on the Gouda stories by Ignatius Walvis, he was an excellent flower painter born in Leiden, but his parentage was from Gouda. He spent many years at the court of Brandenburg working for Frederick William I, Elector of Brandenburg, but moved to Gouda to marry a third time with a nasty wife from Groningen who drove him to his grave. According to the RKD he was a flower painter who spent the years 1664-1670 at the court of Brandenburg.
Giuseppe Abbati
Italian, 1836-1868 Abbati was born in Naples and received early training in painting from his brother Vincenzo. He participated in Garibaldi 1860 campaign, suffering the loss of his right eye at the Battle of Capua. Afterwards he moved to Florence where, at the Caffe Michelangiolo, he met Giovanni Fattori, Silvestro Lega, and the rest of the artists who would soon be dubbed the Macchiaioli. While his early paintings were interiors, he quickly became attracted to the practice of painting landscapes en plein air. His activity as a painter was interrupted during 1866 when he enlisted again in the army for the Third Independence War, during which he was captured by the Austrians and held in Croatia. Returning to civilian life at the end of the year, he moved to Castelnuovo della Misericordia and spent the final year of his life painting in the countryside. Abbati died at the age of thirty-two in Florence after his own dog bit him, infecting him with rabies. Giuseppe Abbati, The Tower of the Palazzo del Podesta, 1865, oil on wood, 39 x 32 cm.His paintings are characterized by a bold treatment of light effects. He often painted a luminous landscape scene as seen through the doorway of a darkened interior, as in the View from the Wine Cellar of Diego Martelli (1866). Some of his late landscapes are in the greatly elongated horizontal format often favored by the Macchiaioli.
Friedrich August von Kaulabch
Munich 1850-1920 Ohlstadt